Granular Minimalism

Interesting approach... some Zydeco like sections pop up here and there, some trad „bones“ rhythm figures. 
Didn‘t expect that at all... 

Thanks, well, the glissando, I often use a slew limiter in the solo voice. However, in the opening of the first tune I literally twisted the knob on the 2ATTCV. That was from an rbss, S&H with an attenuated/inverted signal coming from SLOTH. That gets the machine to "improvise." As I remember the rbss goes straight to the 2ATTCV, from there to a precision adder where it combines with the S&H and SLOTH. I just quickly opened and closed each voice before the starting the piece to demonstrated the "process."

UPDATE:
Oh, after going back and listening, yes, it's the slew limiter. I typically run the solo voice through a slew limiter after the quantizer. The slew limiter is set to logarithmic mode. Only the attack is slewed. The decay is off. So, Yes, I use an AD envelop and slew limiter to get the glissandos.

However, the slew limiter combined with the above process, sometimes the you will have the solo voice triggered by everything all at once. When rbss, S&H and SLOTH hit at the same time, the slew limiter logarithmically blends all that together, producing turns, trills and various kinds of encapsulating events. NOTE: jazz musicians often slur, scope and bend notes in rapid succession during a solo. I wanted to incorporate that into my solos. It's something I've worked on for about four years now.