Jihel
Full Member
knobs, knobs, and knobs !
Posts: 241
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Post by Jihel on Sept 13, 2020 10:49:37 GMT
Week 37 of #52weeksofsound and I thought I'd try a 'krell' patch… I've known about them (and generative music stuff in general) for a while, but never really explored it yet — UNTIL NOW. /.... ..../ Main 'melody' is in the left channel, a delayed version is in the right channel (delay time modulated by randomness), and a slower pulse/drone straight down the middle. Also ambient noises from outside via the e912. Track is hereNice track ! In the "spirit" of Krell...
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Oct 16, 2020 10:26:48 GMT
#52weeksofsound week 42 'The Orchestra' is back to this: - Tangible Waves AEModular Starter Rack 2 + SEQ16 + 4I/O;
- Sennheiser e912 boundary mic;
- Behringer UFX1604 mixer
I've been playing with this patch for most of the week… early on I was in the house (who isn't?) and a lorry must have gone past because there was a delicious low rumble as 'something' resonated. So I started playing with the modular. This is the product of multiple unsynchronized modulations (2 LFOs plus the envelope geenerators self-triggering), modulating the filter cut off, delay time and envelope attack/decay times. There are no VCAs in the audio path, so there's always a low rumble going on. As it's a Friday, the building site behind the house is active, which adds some interesting interjections to the mix I think! Reverb (big and cavernous) is added from the mixer, and this is actually the 'live stereo mix' (I have the individual tracks for a later remix perhaps). (I ran out of patch leads again — very much looking forward to getting my next order!) Due to the unsynchronized modulations, the patch evolves over time and seems like it never repeats — for me, it's quite nice simply as a background ambience. The Track is Here
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Post by slowscape on Oct 16, 2020 14:46:30 GMT
Field recordings + Modular is super nice, great job. I’d like to explore generative patches more
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Oct 25, 2020 11:06:58 GMT
#52weeksofsound week 43 Orchestra is just the modular, but different: * AEModular Starter Rack 2 + SEQ16 + 4I/O + FMOS + MULTIFX + Wonkystuff rbss prototype A few additions to the modular this week: FMOS and MULTIFX modules (supplied by Juno in the UK) and the initial prototype of the soon-to-be-released 'rbss' from Wonkystuff. rbss is providing the main tempo clock, and the clicky rhythm (mutating over time), SEQ16 driving the FMOS through the MULTIFX reverb and a simple saw fading in and out. the rbss is also modulating the multiplier control on the FMOS — depth being modulated by an LFO. With a small 'chance' dialled in on the rbss the sequence mutates slowl over time, so there are enough repetitions to hang on to, but enough variation not to be boring (I hope!) Track is here: namcom.bandcamp.com/track/its-those-things-that-make-a-difference
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Nov 3, 2020 17:42:21 GMT
Having uploaded this on Saturday night, I forgot to post this on Sunday morning: All Hallows Eve (#52weeksofsound week 44)
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Post by rockysmalls on Nov 3, 2020 18:23:35 GMT
Having uploaded this on Saturday night, I forgot to post this on Sunday morning: All Hallows Eve (#52weeksofsound week 44) Clicky Good! :~0
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Nov 8, 2020 12:00:34 GMT
Week 45: as the fog…Orchestra: - Tangible waves AEModular + 2 wonkystuff 'rbss' modules
- Sennheiser e912
Rememberance Day. This started out as an attempt to show the different extremes of the rbss module — using the rbss outputs directly as sound sources: The first has been heard before, the slow click of the rbss' "a out" feeding into the wasp filter, with a fair amount of resonace dialed in and frequencey being modulated by a slow LFO. The second source is what happens when you clock the rbss with the square wave output of the VCO: a pseudo wavetable oscillator. Modulating the 'chance' input means that the wavetable can mutate as the piece progresses (either manually or by some other modulation source). The fog is deadening all sounds this morning. I realised that I was putting this together around 11AM, so thoughts inevitably turn to sacrifices of the past, but also to the news yesterday that there is some hope from the direction of the USA. Of course, time will tell.
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Nov 14, 2020 13:04:48 GMT
Week 46 of #52weeksofsound — I can almost taste the year end… Listening back to the year's tracks, I'm pretty pleased with almost all of them, but the later tracks using the AEModular are showing that maybe there's a 'proper' album in there. To that end, this week I was working on a longer-form track for the as-yet-embryonic album, and this is the last 7 minutes of it. Week 46 Track
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Nov 25, 2020 21:44:35 GMT
Week 47 of #52weeksofsound… Almost the same patch as last week's track. After working on 'LongForm', I kept the patch set up and added a noise source to the pulse. Pleasingly this sounded to me like waves crashing on the beach from a distance, so I kept it. Coupled with whatever was happening outside via the e912 (cars and leaf blower?) and some interjections from the FMOS and feedback within the MULTIFX I find this simultaneously calming and full of suspense. Odd. I miss the beach. Winter Hits
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Nov 30, 2020 20:23:12 GMT
Week 48: Three rbss' in control rbss/3
An experiment in self-defining music: using a self-triggering envelope, and using the envelope-end signal to clock the rbss modules as well as the envelope-start. rbss modules are controlling the attack and decay of the envelope (and thus the tempo), each rbss being set to a different length so that the patterns don't repeat. rbss' are also used to control the pitch and modulation depth of the FMOS, as well as the lofi-delay's delay time. The drone in the background is just the VCO through a slowly modulating filter into the lofi-delay (being modulated as described above). … and the MULTIFX reverb of course. Drizzly outside.
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Dec 4, 2020 19:55:12 GMT
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on Dec 11, 2020 12:50:19 GMT
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